A
life-long attraction to music paid off for Paducah native Jerry
Crutchfield who has spent the last 50-plus years living his dream.
A
talented performing artist, prolific songwriter, respected record
producer and much admired recording industry executive, Crutchfield
got an early start singing in his elementary and junior high school
choirs and at church.
The
prospect of his first solo performance at church both terrified
and
exhilarated the 12-year-old budding musician who jumped at the
opportunity to sing. Shortly thereafter, he started singing in
gospel groups.
His
love for music was fueled during Crutchfield’s teenage years
when
his father purchased a record player and introduced him to a plethora
of music genres. “My dad was a huge music fan,”
Crutchfield
said. “I listened to records by the Mills Brothers and the Ink
Spots, but my father also bought recordings of Caruso and Al Jolson.
Mixed with gospel music, it was diversified.”
After
graduating from Paducah Tilghman, where he sang in various music
ensembles, Crutchfield went on to attend Paducah Junior College.
Crutchfield
said he has been very fortunate to have experienced
some
good things in various phases of his career.
His
first foray into songwriting came in the form of composing and
performing jingles for local advertisers at Paducah radio station
WKYB (now WKYX). Working at WCBL in Benton provided an income
which allowed him to attend Murray State, but not as a music major.
“I
would take morning classes, no matter what they were, so I could
go to work at (WCBL) in the afternoon,” Crutchfield said, smiling.
“I was not a stellar student, but I learned a lot of information
and met a lot of great people. The campus experience is a tremendous
thing.”
While
at Murray State, Crutchfield joined an existing group, The Four
Winds, who eventually performed at the Kentucky State Fair. “I
didn’t know you could win a blue ribbon for singing, but we won
Best Vocal Group and got blue ribbons and a trophy,” Crutchfield
said.
Crutchfield
also sang with The Country Gentlemen, a group he thought was talented
enough to make records. “I had a burning desire to be in the music
business,” Crutchfield said. “I told them let’s do what we need
to do to get in, so we started making tapes
at
WCBL.”
The
next step was to get a record label, a company that would produce
their records, so Crutchfield selected RCA Victor because “I liked
the little dog and the gramophone.”
A
talented artist, Crutchfield twice declined invitations to join
The Jordanaires, a premier backup vocal group, but his relationship
with the group’s tenor, Gordon Stoker, led to a recording contract
via a country music business pioneer Chet Atkins.
Crutchfield
got on the phone and called St. Louis , then Louisville
and
finally Nashville before he got a number for RCA. “I called the
number and asked the person on the other end, ‘if I want someone
to
listen to a tape, who would I talk to?’” He was given the name
and
was promptly transferred to Chet Atkins, who told Crutchfield
to send him a tape.
“I
thought if sending a tape was good, then bringing him one would
be better, so when I got to Nashville, I called Gordon from a
pay phone and told him I was in town and wanted to see Chet Atkins.”
Stoker said he would see what he could do, and hung up.”
Stoker
called back a few minutes later and told Crutchfield that Aktins’
response was, “I told him to send it to me….. but I’ll see him.”
The
rest is history.
The
Country Gentlemen landed a contract with RCA Victor and with Atkins
serving as producer was quickly renamed The Escorts. Atkins encouraged
Crutchfield to write songs for the group and within a short time,
his creative endeavors were noticed by such country greats as
Eddy Arnold, Ernest Tubb and Tree Publishing, one of only four
publishing companies in Nashville at that time.
When
the company offered the budding singer/songwriter a job, he left
Kentucky and WCBL where he was then general manager of the station,
and moved to Nashville .
Since
that move, Crutchfield has seen more than 150 of his songs recorded
by such industry heavyweights including Elvis Presley, Eddy Arnold,
Tanya Tucker, Tammy Wynette, Charley Pride and Lee Greenwood.
Working
in the studio as a musician and singer, Crutchfield ultimately
rose
to become president of MCA Music in Nashville. He also served
four year as executive vice president/general manger of Capitol
Records.
His
30-year association with MCA Music Publishing allowed Crutchfield
to continue writing songs while working fulltime as a record producer.
Crutchfield’s
credits as a producer include Dave Loggins’ No. 1 pop hit, “Please
Come to Boston,” the Grammy Award-winning “I.O.U.” performed by
Greenwood and several gold, platinum or multi-platinum albums
by other artists such as Lee Greenwood, Tanya Tucker, Chris LeDoux
and Tracy Byrd.
He
left MCA in 1996 and currently serves as president of Crutchfield
Music Publishing/Glitterfish Music. Located on Music Row, the
company maintains a catalogue of new and previously-recorded
songs
which Crutchfield focuses on developing. On the lookout for fresh
talent, he occasionally goes to small venues to hear new
artists
perform their own songs.
“The
requirements have changed quite a bit in the music industry from
when I started,” Crutchfield said. “The companies develop artists
they feel society at large will embrace and support. That leaves
many talented people on the sidelines and they are not getting
the consideration they deserve.”
Reflecting
on his career, Crutchfield said he has few regrets.
“We
have a choice,” he said. “It sounds kind of hokey, but life is
a little bit like a race, or at least a good run. We’re strategically
put on the track and we can sit there or take off. It’s up to
us.”
Crutchfield
is adding another dimension to his illustrious career, one outside
the music industry.
“At
this stage in my life, I’m interested in writing, but not music,”
Crutchfield said. “I will soon be publishing my first children’s
book, The Adventures of Dr. Raccoon.”
Inspired
by his granddaughter, Crutchfield said the book features a series
of eight stories, each about 12 pages long. He hopes to have the
book endorsed by professional education and medical groups.
“If
I don’t succeed, it will have been a fun thing to do anyway,”
he said.
He
is also looking forward to returning to Murray State on January
31 for a benefit concert featuring artists Lee Greenwood and Paducah
native Larry Stewart of Restless Heart, as well as singer/writer
Rob Crosby and artist/actor/writer Ed Bruce. All are Crutchfield’s
personal friends.
Crosby
’s credits include Martina McBride’s “Concrete Angel,” Lee Greenwood’s
“Hold a Good Hand”, and “She’s More,” sung by Andy Griggs. Bruce,
who starred on the television series, “Maverick,” has written
such songs as “Mama Don’t Let Your Babies Grow Up to Be Cowboys,”
and the Tanya Tucker single, “Texas When I Die.”
“All
of the artists are extremely talented people performing credited
song material,” Crutchfield said. “I hope everyone realizes how
exciting this can be.”
Tickets
are $20 each and proceeds from the concert, which begins at 7:30
p.m. in Lovett Auditorium, benefit the Jerry D. Crutchfield Scholarship
Fund. The scholarship was established in 1987 less than a year
after he was named a Distinguished Alumnus of the University.
Unable to attend the awards ceremony because of business commitments,
Crutchfield accepted the award via videotape which also featured
an original composition, “Murray State Will Always Be Home To
Me,” sung by Lee Greenwood. A subsequent tape with Tom Wopat singing
the lyrics was mass produced with proceeds from tape sales earmarked
for the scholarship fund.
Jim
Carter, vice president for institutional advancement at Murray
State , said that the evening will be a special and unique music
event for Murray and the region.
“Jerry
has had a stellar career in the music business and certainly made
his mark in Nashville . He has always been gracious to remember
his days at Murray State and again is demonstrating his loyalty
by donating his memorabilia and assisting us with the concert.
It’s a testament to Jerry and his impact on these acclaimed performers
that they have given their time to present this music experience.”
Crutchfield’s
memorabilia, which includes photos, correspondence
and
awards, will be unveiled during Commencement Weekend in May when
he returns again to campus for his Golden Anniversary Class of
1957 reunion. The collection will be permanently housed in Wrather
Museum.