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The music of Judith Lang Zaimont (b. 1945, Memphis, TN) is internationally acclaimed for its
immediacy, dynamism and palpable emotion. Her 100+ works cover every genre and have been programmed around the globe by major
ensembles including the Philadelphia Orchestra, Baltimore Symphony, Berlin and Czech Radio Orchestras, Kremlin Chamber Orchestra,
Connecticut Opera, New York Virtuosi, Pro Arte Chamber Orchestras (New York and Boston), Women's Philharmonic, American Guild of
Organists, England's Laudebus and Trinity Wind Ensemble, Harlem String Quartet, International Double Reed Society, the Manhattan
and (Norway) Bergen Wind Quintets, Zagreb Saxophone Quartet, American Ragtime Ensemble and many others. Her music has served as
repertoire for performance competitions in voice (Carnegie-Rockefeller American Music), piano (2001 Cliburn and 2003
San Antonio International), and conducting (Vahktang Jordania International). She is frequently commissioned; widely
honored through composer prizes (including the Gottschalk International Competition First Prize: Gold Medal and International
McCollin Competition First Prize) and awards (including a Guggenheim Fellowship, 2003 Aaron Copland Award, and 2005 Bush Foundation Fellowship);
and two of her works were named to Century Lists: Doubles -1993 (oboe and piano: Chamber Music America), and Sonata - 1999
(Piano & Keyboard magazine). Her works are published and widely available on disc (Naxos, Koch Classical, Harmonia Mundi, MSR,
Albany, Leonarda, Innova, Arkiv Music); her biography is found in standard reference works (e.g., New Grove's) and she is the subject both
of individual chapters in specialist volumes and major articles in professional journals. After a teen-age career as concert pianist she
completed college and graduate study in composition (City University of New York, Columbia University) and post-graduate study in orchestration
in Paris with André Jolivet, leading to distinguished appointments over 35 years as educator (Peabody Conservatory, CUNY, Adelphi University
and the University of Minnesota), and companion contributions as writer and editor (the Greenwood Press series, The Musical Woman: An
International Perspective and essays on music continuing to appear in music journals online and in print). A fall 2008 essay for
American Music Teacher magazine, "Embracing New Musics", has been named 2009 Article of the Year by the Music Teachers National
Association (MTNA).
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